Johanna Blakley

Media | Entertainment | Fashion

Archive for media impact

Black Twitter, Scandal & Must-Tweet TV

scandal

A few years ago I noticed a bunch of hashtags appearing in the “Trending Topics” section of Twitter that I just couldn’t make heads or tails of. Each one I clicked on revealed a sea of black faces and I thought, Oh! This is some kind of in-joke in the African American community. When I could figure out what the tweets were about (and often I couldn’t), they were often really funny, sometimes poking fun at black celebrities or taking white people to task for their ignorance of black culture and the black experience. There were also a lot of provocative topics such as #thingsblackpeopledo, which often played with sensitive racial stereotypes (think watermelon, unemployment, etc.) sometimes inverting them or re-invoking them in clever and surprising ways.

This development was really exciting to me because I believe that one of the huge social and political benefits of social media networks is that diasporic communities – dispersed groups that have shared interests – can cheaply and easily find one another, exchange ideas, build community and work together to accomplish shared goals.

Fast forward to 2013: we had just launched the new Media Impact Project at the Norman Lear Center and I was looking for a way to collaborate with the Annenberg Innovation Lab, a group at USC that had been publishing some very interesting research on Twitter. I was thrilled when Kevin Driscoll, a PhD student in the Lab, told me that he was hoping to drum up some interest in researching Black Twitter. We had both noticed that academic researchers hadn’t really grappled with the topic yet, even though the phrase was becoming more common in news media after Black Twitter was given credit for focusing media attention on the Trayvon Martin and Jordan Davis cases.

We were also a bit surprised that academics didn’t seem to be responding to studies demonstrating that African Americans were seriously embracing Twitter.  A research team at Northwestern found that black college students were over-represented on Twitter and Pew found that an astounding 28% of African Americans use Twitter with 13% using it on a daily basis. Just to give you some context, only 12% of whites are on Twitter and only 2% of all online adults use Twitter in a typical day.

Whoa. Read the rest of this entry »

The Social Impact of Social Media in India

apogee

One of the more amazing side-effects of having videos on TED.com is that you receive invitations to speak all around the world. For the last two years, the intrepid organizers of the APOGEE conference at the Birla Institute of Tecnology and Science (BITS), one of the premier technical universities in India, had invited me to visit their obscure corner of Rajasthan and speak at their signature annual event. I had been warned that I would probably have a lot of difficulty traveling alone as a white woman in Rajasthan, and so I had to decline their requests until I could line up a male chaperone.  Luckily for me, he materialized last Fall at a conference at MIT – BITS Pilani’s sister university, as it were – and we planned our great Indian adventure together.

When I alerted the BITS Pilani crew to my traveling companion’s bio (John Beck had been the Director of Photography for all of NASA’s Mars missions for the last 18 years), they invited him to speak at the conference as well.

I have long been an admirer of Indian textiles, the incredible classical music and dance, and like most city dwellers, I fight with my friends about who has the best Indian take-out. But I had heard many grisly tales about the filth, the misogyny, the appalling poverty, and the deeply ingrained institutional corruption.

But the overriding reason that I decided to make the journey was because I could not turn down the chance to witness the incredible change that is afoot in India. I was thrilled when the organizers asked me to speak about the social impact of social media in India, a topic that I’ve been following closely for some time.

Even though the Internet penetration rate is extremely low in India, the 17% of Indians online already account for the third largest Internet population in the world. They will move up to number two next year, powered in part by a 91% increase in smart phone ownership by 2016.

And just in case you didn’t know, Indians are really, really social. Facebook, Google+, Twitter and LinkedIn are flourishing in India, where 25% of all time online is spent on social networks.

Last year, LinkedIn celebrated luring 20 million Indians to their service, making Indians the second largest member base. Google+ has attracted a much higher share of online Indians than it has in the States (78% vs. 44%). I was greeted with loud applause when I displayed data from GlobalWebIndex demonstrating that online Indians are far more likely than online Americans to own and use social media accounts on all the major social media platforms.

Who knows what new platforms will be arriving over the next couple of years, but whatever they are, they will see an increasing share of Indians using them. And traditional media – film, TV, publishing – both in India and all around the world, will never be the same. Read the rest of this entry »

How Does Media Move Us?

Paley

I was very honored to speak at the Paley Center’s International Council Summit, an annual event that brings together a who’s who of media heavyweights and impresarios. This year the topic was big data and so the conference opened appropriately enough with Hans Rosling, the infographic genius, who shamed us for our ignorance about the state of the world (you have to see the video.) Eric Schmidt (yes, that Eric Schmidt) closed the proceedings with more quotable stuff than I could tweet (e.g., “The Internet is a huge accomplishment – don’t screw with it!!”) Of course everyone wanted to hear what Nate Silver had to say about his new gig at ESPN, and now you, too, can see every speaker on the program here . . . except me. I gave the luncheon talk at the 21 Club (talk about ambiance!) and so there was no recording.

Here’s what I said:

The Centers for Disease Control found out that over half of Americans believe that the health storylines they see in entertainment programming are accurate and a quarter say that those TV shows are one of their main sources for health information.

Of course we understand the difference between fiction and reality, but we have to be awfully naive to believe that really compelling stories don’t have an effect on us.

For 13 years, we’ve been doing careful academic research at the Norman Lear Center in order to figure out exactly how much of an impact media has on us. We’ve found that a storyline on the TV show Numbers – you know, the one with Rob Morrow – convinced 10% of its viewers to volunteer to donate their organs. An HIV hotline got a record number of callers after a soapie, the Bold & the Beautiful, aired a scene in which a guy tells his girlfriend he’s HIV positive.

Whether it’s smoking or seatbelts, or Fonzie getting a library card, we know that attitudes and behaviors can shift in response to imagery on popular television.

When we asked Americans whether they had ever taken some kind of action based on entertainment programming they’d seen, 65% of respondents admitted that they had. And those actions ranged from seeking more information about the issue to making a donation to a charity (13% owned up to that).

Is it a matter of monkey see, monkey do? Nah. Humans are more complicated than that, and so are the stories we tell each other.

The people in this room know how much is at stake. Imagine if we actually knew what role media was playing in our lives? What would happen if we could accurately measure how media moves us? And what exactly it moves us to do?

Just think back to a song, a TV show, a comic book character, a movie or a book that really shifted your perspective, that set you on a new path, that made you think about yourself and the world in different way.

We’ve certainly seen stories literally save lives. A radio soap opera in Tanzania was so effective at lowering HIV rates in provinces that received the broadcast compared to those that did not, that they had to discontinue the experiment and broadcast the show to the entire country for ethical reasons.

Usually we don’t have the luxury of creating such a large and diverse control group in order to scientifically measure the impact of media. You see similar issues in the field of education, where it’s taken entirely too long, in my mind, for educational initiatives to be adequately vetted through the use of control groups.

What if we applied the scientific rigor of the pharmaceutical industry to TV programming? What if we treated media as if it were a drug: which delivery systems would prove most potent and for whom? What types of content would prove life-changing?

At the Norman Lear Center, we recently developed a pragmatic new survey methodology for measuring the impact of media. The key is addressing the self-selection bias problem. Only certain people seek out certain kinds of media based on their personal taste and access. Our new tool accounts for that bias by calculating each and every survey respondent’s propensity to have seen that piece of media. After that likelihood has been determined, we compare very similar people who were exposed to that media and those who were not. Then we determine whether exposure to that piece of media is correlated with shifts in knowledge, attitudes or behavior.

When we used this methodology on the documentary film Food, Inc., we found significant differences between our control group and those who had watched the film, who were eating healthier food, were more knowledgeable about food safety issues, and who were shopping at farmers markets more frequently than very similar people who had not seen the film. (Here’s my TEDx talk about this research.)

These days we’re more awash than ever in data about how we humans are using and consuming media. For the Food, Inc. study, it was cheap and easy for us to gather 20,000 respondents through digital platforms.

But, as you also know, virtually no one agrees on how to measure media usage, engagement, and most importantly, impact. And the stakes seem higher than ever as we witness the development of ever more intimate and immersive technologies which make that bleed line between screen time (mediated reality) and real time thinner and thinner.

Why hasn’t measuring the impact of media been a priority for us? Well one powerful reason is liability. Who wants to be on the hook for having had some kind of negative impact on people? We’ve seen these accusations play out before with kids and violent video games or heavy metal music. Unless the news is good news, the media industry doesn’t necessarily want to know.

Another problem is that there are far too many incentives built into the media business to use measurement to game the system. The media industries are, by and large, for-profit industries. If you can come up with a custom audience measurement metric that makes your company more money, then you will receive strong encouragement to continue to use that metric – even if it doesn’t do a good job of actually monitoring who encountered your media and what kind of impact it had on them. The truth has been beside the point.

There are powerful incentives to keep your methods opaque – to come up with a black box algorithm that makes it impossible for others to check your work by attempting to repeat your results. This is why many media companies subscribe to multiple social media monitoring services, all of whom use different methods and generate different results that can be cherry picked by their clients.

So we remain adrift in a sea of unverifiable data points, making it virtually impossible for scholars and researchers to find out the truth about who engages in what media and to what end. As you can imagine, foundations that fund media initiatives have been very frustrated with their inability to get accurate, empirically solid, repeatable measurements of the impact of the media they have produced. Many have concluded that it’s simply too difficult and too expensive to do; that we’ll never have numbers we can compare, and, after all, isn’t it impossible to measure shifts in hearts in minds?

This year, we entered into a partnership with the Gates and the Knight Foundations to create a global hub for media impact research at the Lear Center. Our goal is to assist all media makers to do a better job accounting for how people engage with their media and assessing the consequences of that engagement.

We’re expanding the amount and types of research that we do at USC, and we are committed to collecting and sharing best practices from all around the world, from all sectors, academic, governmental, industry. From luminaries like you.

This new initiative is called the Media Impact Project and it brings together scholars across the disciplinary spectrum to develop and share freely the best possible tools and practices. Echoing Nate Silver’s comment this morning, I hope you’ll join us in making media analytics a non-fiction business.

The Politics of Personal Taste

I recently gave my fifth talk for the TED network – this time on one of my favorite projects at the Norman Lear Center, where I’m the director of research. The Lear Center has conducted many studies demonstrating that entertainment plays a key role in people’s lives, igniting curiosity, inciting conversations, and importantly, influencing attitudes and behavior.  One of my favorites was a series of U.S. national surveys that explored whether there is a correlation between entertainment preferences, what we enjoy, and political ideology, what we believe.

One thing you learn in survey research is that it’s not very helpful to ask people to label themselves politically. So we created an instrument that would diagnose the respondent’s ideology based on their responses to dozens of statements about hot-button political issues. Using statistical clustering analysis, we discovered that three groups emerged from our national sample. “Conservatives,” as we decided to call them, “liberals” and “moderates.” These same respondents were asked about their preferred leisure-time activities and their favorite radio and TV shows, Web sites, movies, games and sports and much more.

What we found is that each of these clusters had distinctly different entertainment and leisure preferences. (For a full run-down, check out our white paper.)

Now this kind of research doesn’t allow us to determine causation: I can’t tell you whether your politics determine taste or taste determines politics. But, if I had the chance to ask you enough questions, I would be able to predict your politics based on your taste. And vice versa.

I’ve always wanted to scale up this research to a global sample, where we could see what kinds of clusters emerge on a trans-national scale. Because as you know, in a networked world, culture, media, and politics are not constrained by national boundaries. So, last Fall, I leapt at the opportunity to administer a similar survey in Tunisia, the cradle of the Arab Spring.

Working with Mobile Accord, the company that created the SMS platform for the Haiti relief effort, we administered our survey to over 2,300 Tunisians on their mobile phones. We knew that our sample would skew younger and more Internet-savvy than the general population, which would provide us with a valuable glimpse into the mindset and media habits of a population that will most likely play a leading role in shaping the future of Tunisia, and perhaps the Middle East.

Because it was a mobile phone poll, we had to make the survey much shorter. So, in order to diagnose a respondent’s ideology we decided to focus on cultural politics. We asked questions about how their religious beliefs inform their entertainment choices, and the role that they believe government should play in that negotiation.

We also included specific questions about the controversial TV airing of Persepolis, an animated film which included an image of God, and the violent protests surrounding the anti-Islamic  film, Innocence of the Muslims.

We identified three groups that fell on a spectrum from conservative to moderate to liberal. The group that most fascinated us was the largest group: conservatives. Among these young wired culturally conservative Tunisians, we found entertainment and media preferences that we would expect from liberals in the U.S.

  • “Surfing the Internet” was their favorite way of entertaining themselves (conservatives in the U.S. had chosen “reading” as their favorite.)
  • They were more into video games than reading.
  • When they do read books, they prefer romance novels and sci fi to religious texts.
  • We were amazed to discover that they were the most passionate consumers of American entertainment,
  • They demonstrated a strong preference for Hollywood films and they had less interest in local Tunisian fare than Moderates or Liberals.
  • They were also the most likely to say that U.S. entertainment has had a positive influence on the world.

So much for stereotypes about religious conservatism and anti-Americanism in the Middle East. The picture is far more complicated than you might think. The key is asking the right combination of questions on the right platform.

We know that politics are important but we tend to be dismissive about taste and the pleasures we take from TV so bad that it’s actually good. All too often we assume that entertainment is too trivial for serious critical inquiry. But I believe that entertainment preferences often go unrecognized as powerful indicators of personal and social aspirations.  And, since the Cold War, we have found over and over again that popular culture can bridge deep national and political divides in the most surprising ways. In fact, many have argued that Hollywood films and TV shows have more impact on global public opinion than our foreign policy.

We can get so caught up in looking at people through the lens of demographics and ideology that it often obscures our view of what people really care about, what gives them pleasure. And when you know that, I believe you know the most important thing you can know about anyone.

For more results of the U.S. and Tunisia surveys, check out my TEDxOrangeCounty talk, The Politics of Personal Taste. The Lear Center site offers a lot more background materials on the U.S. entertainment and politics surveys.

Real Food Media Contest

Real Food Media Contest

Imagine my delight when I discovered that I would be a judge for a short film contest alongside Padma Lakshmi, Michael Pollen, Eric Schlosser, and Alice Waters! We’ll be looking for short films that provide a deeper understanding of the US food system. Here’s the low-down:

“The contest invites aspiring filmmakers, or teams of food changemakers alongside communicators, to create 30-second to four-minute films in one of four styles: documentary, advocacy, experimental, or ‘wildcard.’ Entries must be submitted by 9 p.m. EST on February 3, 2014.”

Storytelling, Engagement & Activism

Join us for a panel discussion at the Hollywood Film Festival October 19.

Join us for a panel discussion at the Hollywood Film Festival October 19.

This summer, I spent a great day with a bunch of filmmakers at the Topanga Film Festival. Their goal? Making sure that their documentaries would have a real, measurable social impact.

Just making a smart, moving film about a pressing social issue isn’t necessarily going to change the world. It’s crucial for filmmakers to know what they can do to optimize the possibilities for impact.

It’s not just about good marketing. It turns out that there’s a treasure trove of compelling academic research that filmmakers can tap in order to increase the chances that their work will hit its mark.

Beth Karlin, the director of the Transformational Media Lab at UC Irvine, has become an expert on the interdisciplinary art of using storytelling to increase social engagement and trigger social change. Karlin has joined forces with Jon Fitzgerald, a filmmaker who co-founded Slamdance and the author of Filmmaking for Change, in order to create a workshop curriculum that informs filmmakers about how they can maximize their potential to effectively address pressing social issues.

My new Media Impact Project at the Lear Center shares those goals, and so I have joined Beth and Jon in an initiative that we’re calling SEA Change. Here’s what it’s about:

The SEA Change approach to designing and assessing film campaigns leverages Storytelling, Engagement and Activism for Change. It synthesizes academic theory, empirical research and the lived experience of storytellers and activists, with an eye towards exposing what we know, exploring what we don’t, and leveraging our connections to maximize impact. We focus on developing measurable goals and using theory and findings from the social sciences as well as from analysis of successful cases to meet and measure these goals.

The workshop at Topanga included Michael Crooke, a film funder who was the former CEO of Patagonia. and a wide range of filmmakers affiliated with the Creative Visions Foundation, which supports media activists and incubates artistic projects in a ridiculously awesome space on the beach in Malibu. Beth, Jon and I had a chance to test out our ideas about how to inform filmmakers about relevant research and structure a program that would allow them to actively learn from one another. It was an incredibly stimulating experience and one that we will reiterate on November 17, 2013, immediately following the Creative Activist Arts Festival. We’re putting together an 8-week workshop as well: for more information about that, or to join our mailing list, email seachangeinstitute at gmail dot com.

Join us for a panel discussion at the Hollywood Film Fest (where Jon just happens to be the Executive Director) on October 19 at 11am at the ArcLight Hollywood. Beth, Jon and I will be joined by award-winning author, producer, and director  JLove Calderon, and the delightful Allison Cook, a creator of the wildly successful Story of Stuff Project.

Launching the Media Impact Project

MIPlogo270

Yesterday, I was very excited to launch the Media Impact Project, which aspires to be a global hub for the best research on measuring the impact of media. Supported by $3.25 million in initial funding from the Gates and Knight Foundations, I’m optimistic that the Norman Lear Center can help make media more accountable to audiences and contribute to a better understanding of the role that media plays in people’s lives.

The New York Times picked up the story and I was thrilled to see reporter Michael Cieply focus on this aspect of the program:

Read the rest of this entry »

Revisiting Primetime Terror

The Lear Center collaborated with viral video wunderkind Joe Sabia on a hard-hitting video about how the War on Terror is depicted on primetime TV. Watching the coverage of the Boston Marathon bomber manhunt, both Joe and I were instantly reminded of our work on this project. Here’s how Joe put it:

From bombings, to week long investigations, to racial profiling, to drawing assumptions, to wanted posters, to gun fights, getaways, to shutting down transportation, to Miranda rights not being read…

I could not stop

thinking of

PRIMETIME TERROR.

This whole thing was like a season out of “24″!

Inside TED: A Rare Glimpse Behind the Curtain

TED2013Monday is sort of a ramp-up day at TED, but this year the highlight for me was Inside TED, a glimpse into the machinations of a unique organization that’s trying to figure out how to spread ideas that are stalled or stuck in some way – perhaps they’re trapped in impenetrable jargon; maybe they’re stuck in a disciplinary silo . . . or a Nairobi slum. Regardless of the impediments, or perhaps due to them, TED aspires to create a media platform for awesome and sexy ideas to propagate.

Despite this expansive mission – based primarily on the notion that exposure and transparency are tools for solving the world’s problems – I think most TEDsters feel like there’s a tantalizing shroud of secrecy and sanctity enveloping the TED organization: exactly how many people work there? And how much money do they make from these hyper-expensive conferences (7,500 bucks a pop)? Who decides which videos are posted and featured?

Well, Inside TED was Chris Anderson’s way of opening up the ledgers and introducing the TED community to the brave (and wacky) souls who make this crazy ship run.

Some highlights:

  • Revenues? About $45 million last year, with $27 million coming from TED, TED Global, and TED Active. Anderson estimates that there are about 500 core attendees who have spent around $30,000 supporting TED over the years.
  • There are 1,400 talks on TED.com, with more than 50 million views per month. Only 200 are from TEDx events (and, so for, there have been 5,000 TEDx events with 8-10 more taking place per day.)
  • 25% of their traffic is mobile, and they also distribute their talks through radio and TV channels (they’ve even put TED talks in taxis in Mumbai). Anderson suggested that TED speakers simply multiply their TED.com views by two in order to figure out about how many times their videos have been seen (that puts my two TED.com talks at 2.2 million views. Yowza.)
  • Their brilliant open translation project involves 11,000 translators and 35,000 translations in 97 languages. (I was thrilled to hear that the Gates Foundation was a key funder for this. Go Bill!)

When someone asked Anderson about his favorite failure (and he had earlier admitted that the Bono TED Prize challenge to wire Ethiopia was a dire misfire) he ended up talking about their struggle to balance accessibility with substance. In order to get those great, inspiring ideas “unstuck” it’s essential to find a way to translate them to a larger diverse audience. The accusations, from several quarters, that TED “dumbs down” complex ideas were obviously deeply troubling to Anderson. His assertion that substance must always trump style is a challenging standard to be held to, especially for a slick global media platform like TED. And, honestly, to the rest of us bloggers and professors and public intellectuals who must find that precarious balance between accuracy and rigor and the ethical imperative to share important ideas with people who never thought they’d be interested.

If you’re at TED this week, look me up on TED Connect!

How do you measure the impact of TED?

TransparentMeasurement

Not only do I get to go to TED this year (hooray!) but I also had the great pleasure of participating in a truly brain-tingling workshop whose goal was to help TED figure out how to better facilitate the spread of breakthrough ideas.

Of course everybody (and their mother) is obsessed with web analytics these days: how many hits did I get? How many likes? But media engagement pros (and the workshop was chock full of them) realize that counting clicks doesn’t really begin to tell the full story. Who’s clicking and why? Did they talk to their dad about that TED talk over breakfast? Did they laugh or cry? Did they feel empowered to do something? Did they make a donation? It can be really difficult to accurately measure the impact of any piece of media (including a TED video) without finding a way to bridge that daunting divide between online click trails and offline actions. One way to do it? Surveys!

I’m a big believer in supplementing rigorous web and social media analytics with survey research. And I’m an even bigger fan now that my team at the Lear Center has developed some innovative new methods for taking into account self-selection bias in media consumption (i.e., only certain people decide to see certain TED videos – there’s nothing random about it – which makes it tough to accurately measure impact).

So, imagine my delight when I heard that the Knight Foundation is partnering with TED to work on amplifying and measuring the impact of their content as it “ripples through society, producing technology tools and best practices for connected action.”

One key theme that emerged at the workshop this weekend was the importance of sharing the discoveries that TED will make when they develop their new kick-ass website and state of the art dashboards for tracking engagement. Information is power and nothing is more empowering to an engaged audience than access to information about how their beloved TED talks, along with all the content and actions that they themselves have generated, are moving the needle.

I’m looking forward to what comes of this . . .  stay tuned!

If you’re at TED2013, be sure to check out the Knight-sponsored pavilion centered on Tech for Engagement.

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