Archive for March, 2012
I’m really excited to be a judge for the Core77 Design Awards this year. The marvelous Mariana Amatullo, Co-Founder and Vice President of Designmatters at Art Center College of Design, is our jury chair for the Educational Initiatives category. The deadline is April 10, 2012: so submit now!
This year’s program presents 17 categories of entry, providing designers, researchers and writers a unique opportunity to communicate the intent, rigor and passion behind their efforts. The top professional and student entries receive the Awards trophy and the opportunity to attend a celebration in New York City, and all honorees will be published in the Awards Gallery, across the Core77 online network and in the awards publication. Early registrants receive a limited-edition 2012 poster designed by Studio Lin.
One of the highlights of a recent trip to New York was attending a Mad Men Remix party hosted by Pop Culture Pirate Elisa Kreisinger. I’m a big fan of the show and so it was great fun to watch the season finale from last year with a group of knowledgable viewers, and then to see Kreisinger’s provocative remixes of the show.
Her Internet-ready Mad Men: Set Me Free is a clever remix of the women of Mad Men singing the Motown standard “You Keep Me Hanging On.” Devised to be spreadable on social media sites, I suspect this video – which was co-created with Mark Faletti – will quickly communicate to a broad audience the painful gender issues explored in the show.
And that kind of commentary is pretty desperately needed. I recently attended a screening of Missrepresentation, a thoroughly laudable documentary about problematic representations of women in film and TV. I was dismayed to see clips from Mad Men woven into its visual tapestry of media misogyny. I had believed that most viewers of the show recognized that it was quite critical of 60s sexism, depicting it as an appalling problem and creating sympathy for the women who suffered from it (including our own mothers and grandmothers). But just a few days later I found myself having exactly this conversation with a male friend who felt guilty about loving the show because it was so sexist. He said he felt terrible for the plight of women in the show, but it never occurred to him that his response might be the one the show was hoping to elicit.
All too often, I’m afraid, people equate the representation of something with its endorsement. I often used the TV show Married With Children in my pop culture classes to address exactly this issue: the selfish and reprehensible Al Bundy was not depicted as a role model for viewers – instead we laughed at him for being a bad father, and for bringing into stark relief what a “good” dad ought to do. In many ways, Married With Children was as effective at endorsing ideals about the nuclear family as The Cosby Show was.
Pop culture remixers like Kreisinger have a tricky task on their hands, remapping cultural memes in order to draw attention to things we might not have noticed in the slickly produced pop culture objects that make up our media landscape. It is their task to shake us by the shoulders and say “What if?” Such is the case (in spades) with Kreisinger’s QueerMen: Don Loves Roger remix. Whether you believe that the remix reveals a “subconscious” sub-plot of the show or not, it gives viewers the opportunity to imagine it. This has long been the strength of fan fiction, which has been taken to entirely new and enticing levels due to ever-expanding access to bandwidth and the rise of robust social media platforms.
One troubling side effect of remixes is that the original can seem a bit less itself after viewing them: or, at least, that was my experience watching the much-anticipated season five premiere of Mad Men last night. Where were the subtle psychological insights we’ve come to expect? Maybe we have to wait for a remix to reveal them.
I am delighted to have been invited to participate in a symposium about fashion and intellectual property law at the University of Pennsylvania Law School March 20. They’ve put together an excellent line-up, and I’m looking forward to discussing the many problems that I see with pending legislation that may grant copyright protection to fashion designs. (You can see some of my thoughts about this here, here, and here.)
If anyone affiliated with the symposium was wondering how the major fashion labels might enforce the new and unprecedented protections that the Innovative Design Protection and Piracy Prevention Act (ID3PA) would grant them, Louis Vuitton gave them their answer on Wednesday. In a condescending cease and desist letter, Michael Pantalony chastised Penn for misappropriating and modifying their trademarks in a promotional poster for the student-run event. Calling it an “egregious action” and a “serious willful infringement” that “knowingly dilutes the LV Trademarks,” Pantalony went on to say that the use would
mislead others into thinking that this type of unlawful activity is somehow ‘legal’ or constitutes ‘fair use’ because the Penn Intellectual property Group is sponsoring a seminar on fashion law and ‘must be experts.’
It doesn’t surprise me at all that an Associate Dean for Communications at the Law School quickly responded to the letter saying they would immediately stop using the posters and invitations: bullying cease and desist letters like this often work that way. When the General Counsel of the University of Pennsylvania, Robert Firestone, saw the letter, he had a very different response, citing several reasons why Pantalony’s claims were absurd.
Trademark protection is meant to protect consumers and companies like Louis Vuitton from imitators who hope to convince potential customers that their products were actually made by the famous brand. Quality control and brand reputation is crucial in the fashion industry and trademark protections are a perfectly logical way to protect customers from fraud and to give companies the tools they need to protect their valuable reputations. Firestone rightly argues that putting a parody of the Louis Vuitton logo on a poster for a student run event about issues surrounding intellectual property protection in the fashion industry would not constitute trademark infringement: obviously, the students are not selling a product of any kind that could be confused with a Louis Vuitton product. Harm done? None. And Pantalony’s additional claim, that people would be mislead into believing that Vuitton is a sponsor of the conference, was also dismissed by Firestone since all the conference sponsors logos are prominently listed on the poster (you can see the full poster here).
Thankfully, in this instance, the students had knowledgeable legal counsel to protect them. But, as you can imagine, that is not always the case. Just imagine the type of bullying that can take place if ID3PA passes: companies with deep pockets will have the ability to scare off lesser-known designers from creating any designs that seem substantially similar to theirs. Introducing design monopolies into the fashion business is a huge mistake that I hope our federal House Representatives will be canny enough to avoid.
These are the campaigns that touch a cultural nerve; ads that capture or catalyze a cultural movement, moment or event. These campaigns may reflect the popular culture of the web, having gone viral, or celebrate specific regions or global diversity as part of their message. These are ads that are an active part of cultural dialogue in a connected world, crossing borders and cultures.
We put together a pretty long list of candidates – from silly video game ads to a touching long-form piece about the impact of the Tōhoku earthquake and tsusami on the creative community in Japan. Now that TED has announced the winners, I thought I’d celebrate some of the runners-up that we loved.
For those of you who didn’t have the good fortune of encountering “Catvertising” (top) I am delighted to share it with you here. I can’t tell you how many people forwarded this one to me – and with good reason. Kenzo and I were tasked with nominating ads that reflected the popular culture of the Web: no accurate accounting of that culture could ignore the ridiculously robust role that cat videos play.
Be sure to check out the winners of TED’s Ads Worth Spreading challenge. I had a terrific time working with Kenzo Digital on one of the nomination teams, reviewing some of the most cutting edge ads from the last year. Here are two of my favorites from the 10 finalists – I’ll be sure to post some of the terrific nominees that Kenzo and I selected that also deserve some serious kudos.