Johanna Blakley

Media | Entertainment | Fashion

Archive for jb exploits

Advancing the Story: The Next Chapter in Media Impact

The Norman Lear Center and the Paley Center for Media held an event on November 2 exploring how technology and storytelling are raising awareness about important social issues. I gave a presentation (which you can watch here) addressing how we can connect the dots between media exposure and social or political action. Summarizing results from the Lear Center’s impact studies of the documentary film Waiting for “Superman,” the narrative feature film Contagion, and the Guardian’s global development news website, I explained how mixed methods research can be used to assess changes in knowledge, attitudes and behavior from media exposure (You can read full-length reports here).

The evening started with a very timely panel discussion about how new technologies are informing and invigorating public discourse about social issues. Justin Osofsky, Vice President of Media Partnerships and Online Operations at Facebook, discussed how “humbled” the organization was by the profound impact that Facebook Live video streaming has produced. Wesley Lowery, National Reporter at The Washington Post and author of the forthcoming They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement, explained how his fluid use of Twitter, Snapchat and Periscope transformed his journalistic process. Raney Aronson-Rath, Executive Producer of Frontline, weighed in on the expanding use of VR among newsgatherers, and her “Aha!” moment at MIT’s Open Documentary Lab. Jennifer Preston, Vice President of Journalism at the Knight Foundation, which sponsored this event, joined the panel in a nuanced conversation about the difference between journalistic ethics and online community ethics, which are becoming more deeply interwoven as citizens move to social media platforms for news.

The second panel of the night addressed the impact of storytelling in entertainment, bringing together the grandfather of social issue TV, Norman Lear; Kenya Barris, creator of black-ish; and Gloria Calderon Kellett, Co-Showrunner of the Netflix reboot of Lear’s classic  One Day at a Time. Moderated by Marty Kaplan, the group addressed the critical need for entertaining stories about real people and real problems on screens large and small. Sensitive to the historic lack of diversity on primetime TV, Barris and Kellett discussed the need to dislodge the notion that there’s one monolithic experience for each ethnic group. By injecting their own lived lives into their storytelling, all three writers felt that they could trigger conversations that could lead to social change.

Check out the lively Twitter feed from the event: #mediaimpact 

Los Angeles – The Actual & the Imaginary City

Median

Los Angeles may be the most mediated city in the world: it is the backdrop of countless media representations. No wonder we have a hard time grasping it: which part is real and which part is fake? Is it a fool’s errand to try to separate the two?

We’ll discuss this and much more on Sunday, August 7 at 4pm at the WUHO Gallery in Hollywood, which is exhibiting an experimental moving image installation called Median. Created by Bill Ferehawk and David HartwellMedian presents a Los Angeles of drive-by impressions. It distills the city into the canned personas that it projects to its passers-by and lends perspective on the everyday urban tics through which the city is read.

With Median as the backdrop, I’ll moderate a panel discussion with some keen observers of Los Angeles’s urban experience, including:

Bill Ferehawk and David Hartwell, creators of Median

Naomi Iwasaki, Program Director of the Los Angeles Mayor’s Office Great Streets Program

David Ulin, author of Sidewalking: Coming to Terms with Los Angeles

Andrew Wilcox, landscape architect and contributor to LAtitudes: An Angeleno’s Atlas

INFO:

Sunday, August 7, 2016

The Making of Median: 3pm (LA Forum members only)

From the Street: Median in Conversation: 4pm (free and open to the public)

LA Forum Events @ WUHO Gallery

6518 Hollywood Boulevard, Los Angeles, CA 90028

Median is on view through Thursday, August 25, 2016

Gallery Hours: Friday, Saturday, and Sunday, noon to 5 pm

Become an LA Forum member.

Design Patents & the Future of Fashion

 

I had to attend the Struktur conference vicariously this year, but I had the great fortune of attending this creative summit for active, outdoor and urban design last year. The organizers had approached me because of my TED.com talk on the lack of copyright protection in the fashion industry. It turned out that the active wear industry was facing a potential sea change. The news was getting out that Lululemon was aggressively pursuing design patents for their designs, effectively installing barbed wire around previous open pasture in the design community. The Struktur community wanted to know: what the hell is a design patent, anyway, and should I be getting some of them, too?

Once I knew this, It took me about zero seconds to agree to give a talk on the topic (here’s the video). I’ve been impatiently monitoring the wearable technology sector for many years now, where I see a very exciting (and lucrative) future for apparel designers. One key reason: fashion designers may not have copyright protection – which means they don’t own their designs – but they are eligible for patent protection if they can inject some unique utility into their design.

I can’t believe how long it’s taken for high-end fashion designers to get into the wearable tech game. But slowly and surely, it’s finally happening. The wearable-electronics market reached $8 billion in sales in 2014, and is expected to hit $20 billion by 2017, according to research firm Futuresource Consulting. I expect the sector to explode once customers realize that they should be getting tremendous utility value with their clothes – not just cute looks.

Editorial about wearable tech tends to be pretty snarky, but even cynical reporters are starting to warm to the idea. Athos now offers workout capris that alert you to your workout targets and tell you whether you’re favoring one leg over the other, which can lead to injury and inadequate work outs.

Emel + Aris have created a luscious cashmere wrap that’s actually a toasty electric blanket. Iris Apfel, icon of all who hope to age in grand style, has developed WiseWear cuffs that can send a message to an emergency contact if you should get in trouble. And while I’m no fan of Ralph Lauren, the Ricky bag is kind of genius, with its built in phone charger and LED lights that switch on when you open the bag.

So all of these contraptions are eligible for utility patents, which cover inventions that are novel, useful and non-obvious. So what is a design patent? Read the rest of this entry »

Talking About the Culture of Technology with Katina Michael

I had a wonderful conversation with Katina Michael, professor of Information Systems and Technology at the University of Wollongong, and editor in chief of IEEE Technology and Society Magazine. She wanted to have a chat about my forthcoming article on “Technologies of Taste,” which explores the social impact of recommendation engines. But the conversation ranged far beyond that topic, touching on the behavioral biometrics of game play, the privacy implications of Samsung TVs that can listen to your conversations, and the attention economy as a “zero sum game.” Clearly, I may just have to fly to Australia to continue this conversation in person.

 

 

Overcoming “Development Fatigue”

How can we translate awareness into action?

If you’re a regular news consumer in the United States you might get the impression that world is going to hell. Especially when it comes to international news, you’ve probably recoiled from the grizzly headlines and wondered how on earth, in the 21st century, we find ourselves surrounded by such barbarism, poverty, and countless other intractable global ills.

Unless you’re a global development professional, or someone who’s watched one of Hans Roslings’ acerbic TED videos, you probably wouldn’t know about all of the absolutely mind-boggling improvements that have been made to the quality of life for billions of people around the globe.

Unfortunately, the great successes of the Millennium Development Goals, didn’t exactly make front page news. In the financially failing news industry, the international beat is the most expensive to cover, and with the public dead-set against increasing foreign aid and selfishly focused on its own backyard, news outlets don’t have the best incentives to report on boring things like the MDG targets that were met. Little old things like . . .

  • Goal 1: Extreme poverty was reduced from 47% to 14% in developing nations.
  • Goal 2: 91% of kids in the developing world are receiving primary education.
  • Goal 3: The developing regions as a whole achieved the target for gender equality in primary, secondary and tertiary education.
  • Goal 4: The mortality rate for children under five has declined by more than half.
  • Goal 5: There was a 45% decline in maternal mortality.
  • Goal 6: There was a 45% decrease in HIV infections, a 58% drop in the malaria mortality rate, and a 45% drop in the TB mortality rate.
  • Goal 7: 2.6 billion people now have access to better water – this target was achieved five years ahead of schedule.
  • Goal 8: Despite public opinion, we’ve seen a 66% increase in development assistance.

Pleasantly surprised? Perhaps a little more inclined to follow the progress of the Sustainable Development Goals, which just launched in January?

Well, the UN hopes you will be. But, beyond injecting capital into the news industry, how do NGOs, governments and global development activists figure out a way to reach and engage the public? Read the rest of this entry »

Gender & (Anti)Social Media

gamergate

I’m an English PhD and so when I was in grad school, the Modern Languages Association Conference (MLA) was THE annual event to attend – not only to get a teaching job, but to take the pulse of humanities scholarship from around 10,000 specialists in the most obscure sub- sub- sub-niches of academia. Attendance has declined about 40% since those heady days, but, at the 2016 convention last week in Austin, where I gave a talk on Gender & (Anti)Social Media, I still felt that anyone I met was the only person in the world doing the particular kind of work they were doing. Every presentation was like an exotic hybrid flower, a specimen brought to life through years of laborious research and experimentation in the hothouse climes of the academy.

This specialization is both inspiring and tragic as you encounter lonely scholars who have been toiling in their own very narrow silos, hoping that perhaps 10 people will show up to a talk that took them five years to prepare.

It is one of the main reasons that I departed from the typical English PhD path, casting my lot with a web startup and a giant computer games company. But it was a pleasure to return to the esoteric world of MLA, where new media is now something that cannot be ignored. I was especially keen to join the roundtable on Gender & (Anti)Social Media, which focused on recent bouts of social media–based harassment (e.g., Gamergate) but also on the potential for social media to create change for the better through cyber activism and coalition building.

Ever since I gave my TED talk on gender and social media, which was optimistic about the benefits that social media offer to women all around the world, I’ve been keeping an eye peeled for convincing case studies that demonstrate the potential for social media engagement to result in real-world change – things like increased awareness, attitudinal change, civic engagement, and the coup de grâce of civic intervention strategies, policy change.

I wanted to know what evidence we have that activism on social media is not simply self-congratulatory “slacktivism.”

It’s often unclear whether things like Twitter hashtag campaigns accomplish much more than increased awareness (which is nothing to sniff at). A tragic example is the #BringBackOurGirls campaign, which, despite its high profile supporters, appeared to have absolutely no impact on the situation on the ground.

bringbackourgirls

However, here are three examples that should give us some faith in social media-based efforts to address gender equality:

2015 Saudi Election

girlsofriyadh

I first became aware of how social media was being used by women in Saudi Arabia from a novel I bought in a bookstore in Japan. Girls of Riyadh was a real page-turner, set up as an anonymous epistolary serial, issued on email, that galvanized the attention of the singles scene (male and female) in ultra-traditional Riyadh, Saudi Arabia. Because of strict physical gender segregation, social media platforms offer a radical new channel for social interactions between males and females, and Girls of Riyadh paints a portrait of the profound pleasures and dangers to be found there for women who have been effectively locked out of the public sphere.

Of course romances in Saudi Arabia are blossoming on Facebook, but we can also see that political campaigns are triggering unprecedented conversations between men and women. Just last month, women were allowed for the first time to vote and run for political office – which meant that candidates needed to reach voters of all genders. Saudi Arabia has one of the highest Twitter penetration rates in the world and so it’s not surprising that women voters used Twitter to testify to their participation in the public sphere. In the picture below, this Saudi woman took her children with her to the poll so that they could see first-hand that she had the power to vote.

saudivoter

I’d argue that much of the activity on social media platforms is driven by a desire to testify – to one’s beliefs, interests, affiliations, desires, achievements . . . the list goes on and on. Twitter, in particular, is positioned as a kind of digital public sphere, where participants who do not often have access to physical public places, can test their voice before a global audience and respond to the call of communities that they may never have known existed.

#DelhiGangRape

DelhiProtests

Delhi protests-India Raped, says one young woman’s sign” by Nilroy (Nilanjana Roy). Licensed under CC BY-SA 3.0 via Commons.

 

I went to India last year to give a talk on the social impact of social media in India. I was absolutely blown away by the adoption rates among women, and the near constant use of platforms like WhatsApp among the college students I got to know. There are currently 70 million WhatsApp users per month in India, and India has the fastest rate of growth in Internet access in the world. According to a UN Women’s report on cyber violence and gender, Indians also have a greater optimism about using the Internet for freedom of expression – compared to the French, Canadians, Americans, Spaniards, and Germans.

The infamous #DelhiGangRape had already happened in 2012, and people had already seen the political impact of the story’s dissemination on social media. Not only were massive protests coordinated, but rape reports proceeded to double and anti-rape legislation was passed that criminalized stalking, included a mandatory minimum sentence of 20 years for gang rape and required the creation of six new fast-track courts created solely for rape prosecutions. Experts on the ground emphasize that this is just the beginning of the process, but making an open secret the subject of public conversation is a very important step toward broader social change.

And the ramifications go beyond gender rights. According to the Nieman Lab at Harvard, the protests were a “watershed” moment for the use of social media in news gathering and reporting in India.

Cosby

cosby

Is it true, as this headline from vocativ asserts, that Cosby was brought to his knees by social media? If you’ll recall, it was a YouTube video of a bit by the comedian Hannibal Buress that renewed interested in the long-forgotten accusations. Often the most powerful campaigns on social media are either triggered by mainstream media reporting, or amplified by it. In this case,  the very low-quality video of Buress’ rant only caught fire when it was posted by Philadelphia magazine.

 

Cosby made the mistake of ignoring the firestorm. In fact, he seemed so confident that no one would pursue these allegations again that he invited his fans to generate memes about him on Twitter: The result was a user-generated public relations disaster for Cosby, and a huge victory for his accusers.

cosbymeme

All of this public interest evidenced on social media platforms led to serious investigative news reporting. The New York magazine’s cover story, which featured pictures of 35 of his accusers, along with an empty chair, ended up triggering another unplanned, user-generated social media campaign. #TheEmptyChair signaled tweets from people who had been raped, but did not come forward publicly.

nymagemptychair

There are many more examples to explore, such as the #NoMorePage3 campaign which convinced the Sun to eliminate its regular topless babe spread. But it’s definitely the exception and not the rule to find a social media campaign that plays a key role in triggering obvious real-world action and shifts in the status-quo. As with all media, social media platforms provide the opportunity to put an issue on the public agenda: translating growing awareness, however, into a massive protest or policy change, is still quite rare.

When it comes to gender equality, it’s clear that an epic battle is being fought in the digital public sphere: some are using new media platforms to punish and chastise women; others are using it to empower them. But what encourages me is the fact that there’s a battle being fought at all. And I think it’s telling that in a 17-country survey, 85% of women said the Internet provides them with more freedom. If you happen to be one of those people who poo-poos the revolutionary potential of social media, I would suggest you contemplate just how transformative these communication technologies can be in the hands of people who have been shamed, bullied or otherwise discouraged from participation in any kind of public dialogue. For them, registering their existence, let alone their political opinions, can be a revolutionary act.

Re-Imagining Memoir: Alison Bechdel’s Fun Home

FunHome

Even though it had been highly recommended to me repeatedly, I didn’t get around to reading Alison Bechdel’s graphic memoir Fun Home until after I saw the musical at the Circle in the Square on Broadway. It’s rare that I retain enough interest in something to read the book after having seen the movie or the play, but I knew I would this time. The musical, which grabbed five Tonys, was such a fresh, original take on memoir, with subject matter so foreign to the Broadway stage, that I knew I would enjoy, at the very least, mulling over the differences between book and play.

I was especially eager to dig into the book after I read a fantastic interview with Lisa Kron by Laurie Winer in the LA Review of Books. Kron was the playwright for Fun Home and I was really intrigued when she claimed that about 75% of the play doesn’t appear in the memoir (what?!) and that the book didn’t contain any scenes:

“There are no scenes in the book. There are no scenes! There is no dramatic action, there are no sustained scenes. There aren’t even really characters. There’s Alison at this age, at this age, and at this age. There are fragment[s] of scenes in different locations.”

I just couldn’t fathom what that meant, and I must, say, after having read the memoir, I’m still not sure what she’s talking about. Either her notion of what qualifies as a “scene” or a “character” completely diverges from mine, or (and this possibility entrances me) her play so deeply informed my reading of the memoir, that I was unable to recognize the lack of scenes or character. Had Kron baked into my mind the material I needed to bridge the gaps between plot fragments and character revelations? It seems like I would need a time machine to know (or a device like the one in the Eternal Sunshine of the Spotless Mind.)

But then I remembered Scott McCloud’s brilliant graphic book, Understanding Comics.

comicscenes

Read the rest of this entry »