Archive for Dinah Lenney
I love it that I’ve joined a faculty that actually indulges in summer reading. Every year, the Master of Professional Writing faculty at USC are asked what they read during the break and Dinah Lenney sums it all up in a blog. She saw a theme in her own summer list:
Two more off the top of my head: Light Years by James Salter—beautiful and sad. And A Tale for the Time Being by Ruth Ozeki. Hopeful, but sad. Say, why do we love sad stories? How is it they actually comfort us? Or do they?
One of my favorite performances at TEDxUSC this year was by the actress and writer Dinah Lenney, who explored the connections between life and art. I can’t help but think that her training as an actress has made her a bit more sensitive than the average writer is about the “reality” of fiction and the visceral connections it forges between representation and material existence. Through a series of poignant and funny tales, Lenney explains why it is that she is more awestruck by a painting of a tree than the tree itself. To her, it’s the human intervention, the longing to capture in art something that simply occurs in nature, that gives her a sense of awe.
I was reminded of Jean Baudrillard‘s infamous formulation of the simulacrum: he argued that a really compelling representation of something (a picture of a sunset, for instance) may all too easily become the primary referent for the real thing (e.g., the actual sunset). Whenever you find yourself saying, “Hey! That looks just like a postcard!” then you have become subject to the allure of the simulacrum. But while Baudrillard bemoans the dehumanizing aspects of this displacement — this re-placement, as it were — Lenney celebrates it. She sees how important the witnessing of that sunset actually is: a human tried to tell us about it through a postcard, and the message was received.
Viva la simulacra!